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Writer's Notes - By Jeanne Dininni

 
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Fortune-Cookie Wisdom Returns

I've written about fortune-cookie wisdom for writers before, and the insights were so amazingly suitable to the craft that after ordering Chinese food the other night, I was eager to crack open my two fortune cookies to see what kind of writing lessons they might hold in store -- and I wasn't disappointed. I'll write about fortune-cookie lesson number one today and number two later.

The Lesson

"You find beauty in ordinary things. Do not lose this ability." Could that admonition be any more appropriate for a writer? That's precisely what we writers must do to achieve the level of self-expression that inspires our readers. As writers, we need to see the world in a way most other people don't.

Everything in life -- no matter how ordinary it may appear -- isn't. Why? Because it has so many amazing lessons to teach us. That, in itself, makes almost any object beautiful -- on an internal if not external level. Why not try it. Look at the most mundane object you can find and begin thinking about what that object has to teach you about life and how you can apply that lesson to your writing. This is actually a great exercise -- one that I've engaged in before -- and I was surprised how much I learned from a whole array of common, everyday items.

Example

Here's an example I wrote during one Middle Zone Musings WILF (What I Learned From) exercise:

Trains are virtually unstoppable—as long as they remain on track. They teach us that we, too, will be unstoppable if we maintain our focus, build momentum, stay on track, and keep our eyes on the destination ahead.

Now, you try it. This exercise will not only help you gain philosophical insight that can benefit your writing. It will also hone your powers of observation when you use items you can actually look at, improving your ability to effectively describe the objects about which you write -- a critical skill for every writer to master. Even the items you aren't actually able to look at can bring many insights to your writing through visualization. They can also bring insight through mental, emotional, and philosophical comparisons, such as my train analogy.

Never lose the ability to see the beauty in ordinary things, because that beauty will make your writing extraordinary!

To your powers of observation!
Jeanne


What common everyday objects have taught you lessons that can be applied to your writing?



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Writing Market: The Sun Magazine

March 18th 2013 20:01


Good Pay for Your Work

I just came across a well-paying venue for writers the other day and thought I'd share it: The Sun Magazine. The magazine pays $300 to $2,000 for essays and interviews, $300 to $1,500 for fiction, and $100 to $500 for poetry. The actual payment amount is determined by the length and quality of the work. Very short works may may pay less. Payment also includes a complimentary one-year subscription to The Sun. The publisher purchases one-time rights, with all other rights reverting to the author after publication. This publisher is willing to consider previously published works, so this is a great opportunity to earn extra money for your already published writing. Compensation for reprints is one-half the usual fee.

The company also purchases photographs and photo essays and pays well for these, too. For details, visit the link above and click the "Photography" tab. If you happen to be a photographer as well as a writer, this market will give you more opportunities to earn by using your creative talents.

The only negative aspect of the above venue, which might hold some writers back, is the fact that submissions must be made the old-fashioned way: by mail, complete with the traditional SASE (stamped, self-addressed envelope) for the return of your manuscript. But, if you can rise above that minor inconvenience, you'll be paid well for quality work. So, it may just prove worthwhile to go to the extra trouble. If your manuscript is accepted, you'll be glad you did!

Response time can be a bit long with this market: three to six months. Since the company discourages simultaneous submissions, the wait could be tough. But, with previously published material at least, what have you got to lose? In fact, even new material would be well worth submitting, despite the time frame, purely because of the amount of compensation offered. This would likely not be the market for newsy or otherwise time-sensitive work, however.

Only you can determine the viability of this market for you, weighing the pros and cons and deciding whether or not they warrant your involvement.

Whatever you do, have a look at this market. It may just turn out to be a lucrative venue for your work!

Good luck!
Jeanne



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Potential Magazine Exposure for Your Work

If you have previously unpublished work -- including poetry, prose (aka, short stories), or art -- you might want to consider submitting it to The Earthbound Review for inclusion in their annual magazine. Compensation appears to be contributor's copies (2), but if you don't mind that, you may be able to get some exposure for your work through this venue.

This appears to be a brand new market -- one I came across through a CraigsList ad.

Be aware, however, that you won't hear back from this one-man operation until sometime between April and November, with accepted pieces slated for publication in December.


Good luck!
Jeanne



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Quote on Writing: Do What Works

November 21st 2012 04:12


"There are so many different kinds of writing and so many ways to work that the only rule is this: do what works. Almost everything has been tried and found to succeed for somebody. The methods, even the ideas of successful writers contradict each other in a most heartening way, and the only element I find common to all successful writers is persistence--an overwhelming determination to succeed."

Sophy Burnham




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Have you published a college-level textbook that you would be willing to license to Saylor.org -- a free educational website that is working hard to change the face of modern education? This company believes strongly that education should be free and offers numerous online undergraduate college courses students can take for certification. While the courses are prepared by accredited instructors, the school itself is not an accredited institution. However, students can still gain a great deal of knowledge by taking these courses absolutely free.

If you've written a college-level textbook, to which you own the copyright, and you would like to help support the Free Education Initiative by licensing it to the Saylor Foundation, please click the button below. Saylor is willing to pay textbook authors $20,000 to use their books in its program. You'll find further information at the link.

Here's to knowledge-sharing!
Jeanne






Disclosure: While the above post is not a sponsored post, the link above is a referral link. If you use this link to submit your textbook to the foundation and your book is accepted into the program, I will receive a referral fee. However, I strongly believe this program to be beneficial to students, who are able to access all courses offered by the foundation absolutely free, which is the only reason I've endorsed the program by writing this post and providing my referral link.



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Join Blog Action Day 2012

September 15th 2012 00:07


Links to Blog Action Day Info

Blog Action Day is only a month away (October 15, 2012)! If you're thinking of participating, you'll probably want to visit the Blog Action Day site and register soon.

I've been so busy with my freelance writing lately that I have to apologize for getting so far behind on my blogging. It seems I hardly ever post anymore. My other writing seems to take up all my time. Well, hopefully, I'll be able to write a post for Blog Action Day, as well as other posts every now and then -- ideally, a little more often than I have been lately! But, we'll have to see how things go. With my crazy writing schedule, I really can't promise anything.

Despite my own lack of posts, I did want to give you the Blog Action Day link, just in case you'd like to participate. This year's theme is "The Power of We," which sounds like an excellent topic -- one about which bloggers should have many fascinating insights! Here's a link to the blog post about the theme: "The Power of We". Check it out and see if this is a theme you think you might feel inspired to blog about on October 15th! I think it's a topic with incredible potential! Don't you?


Write on!
Jeanne


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Stories: The Currency of Human Growth

"Stories are living and dynamic. Stories exist to be exchanged. They are the currency of Human Growth." Jean Houston

So simple, yet so profound.

Food for Thought: As a writer, how are you spending your most valuable currency?

Write on!
Jeanne



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“Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You’ll be amazed at what will come out on paper. I’m still learning what it is about the past that I want to write. I don’t worry about it. It will emerge. It will insist on being told.”—Frank McCourt

“You are the landlord of your own soul. Let the words, the memories, the imaginings pour white-hot onto the page. You can decide later what they are, what they might become, and when it is time to show them to someone else.”—Pat Schneider, Writing Alone and With Others (Oxford University Press, 2003), p.13



Your Gift to Your Readers

When you write, one of the greatest gifts you can give your reader is to allow yourself the freedom to fully experience and adequately explore the topics about which you write. Whether crafting magazine articles, books, blog posts, literary essays, promotional web copy, fiction, or creative non-fiction pieces, pausing to visualize your content, your concept, or the experience you hope to convey through your words will add a spark of creativity, energy, and authenticity to your work that will thoroughly engage your reader, building both intellectual and emotional rapport and drawing the reader deeper into the piece.


That Magical Connection

The opportunity for total engagement, to the exclusion of all else, is not just a gift you give your reader. It’s also a gift you give yourself, because developing a genuine connection between reader and author—one which impels the reader forward in irresistible anticipation of the gems of wisdom or journeys of fancy the work holds in store—creates an almost magical bond that allows your personal vision to become a shared vision, if only for a few brief moments. If, as a writer, you hope to totally engross your reader, you’ll find no shortcuts. The element of visualization is an integral part of the process—and you ignore it to your own creative peril.


The Spark: Creative vs. Mundane

This is one reason great writing is not necessarily synonymous with a perfect understanding of language mechanics—and that’s fabulous news for those who lack these skills yet yearn to express themselves through the written word. While mechanics are wonderful to know as a writer and will make the writing life much easier, thankfully they are not essential to the heart of self-expression. That’s why we have editors—to drape the writer’s inspired prose in appropriate dress, making it more “presentable” to “polite” literary company. Without question, the beauty must absolutely already exist in the piece for the editor to “bring it out.” If the creative spark is missing, an author’s perfect grammar, syntax, punctuation, and spelling will certainly fall short of the excellent-writing mark, and no level of editing—other than a complete rewrite—will compensate for the lack.


Writer or Editor: Power vs. Precision

Have you ever read a writer whose work was riddled with grammatical, punctuation, and spelling errors and rife with run-on sentences, yet whose prose had the power to move you…to awaken heretofore unimagined new possibilities in your soul…to open brand new vistas before you…to literally transform you from within? Has such a writer ever lifted you…transported you…swept you up on a tide of lofty ideas or vivid imaginings, depositing you delightfully onto the shores of an exciting new intellectual realm? Hopefully you’ve experienced the joy of such a profound intellectual encounter many times. Assuming you have, what component of that author’s writing do you think accomplished that singular literary feat—despite his or her shortcomings in the mechanics of the craft?


The Elements of Powerful Prose

You might answer “creativity,” “emotion,” “passion,” or even “style” or “flow.” Or, you might mention any one of a number of other elements that breathe life into an author’s writing. And you would certainly be correct, for without these complementary components, a piece of writing could never achieve “magical,” “noble,” or “transcendent” status. Yet, I submit that visualization is the creative conduit through which each of the above elements is fully realized and that, thus, the ability to generate vivid mental pictures is indispensably linked to the creation of consistently powerful prose.

Through visualization, we can expand the boundaries of our creativity to a virtually limitless degree. We can explore, relive, and even generate the myriad emotions that make our writing uniquely ours and yet strangely able to touch a chord that resonates with our reader. And we can inspire a whole world of readers to embrace the same transformational vision, the same cathartic emotion we ourselves have experienced and have so vividly conveyed. Through visualization, we can tap the primal energy that fuels our passion, sending that same passionate energy coursing through our reader’s veins.


Catch the Vision

Whatever your writing style, niche, or genre—and, equally significantly, whatever your level of ability with the mechanics of language—visualization will deliver new power, immediacy, and impact to your prose. Therefore, no matter how tight your deadline or how full your writing schedule, determine to spend a little time simply staring off into space as you write, allowing the incredible vision of all that your work can become to wash over your mind and heart and letting the limitless possibilities of imagination fuel the fires of creativity in your soul.

Visualization is not a luxury. For the serious writer, it’s as natural as breathing—a process that infuses every creative “cell” with the “oxygen” and “nutrients” it requires for vibrant health and optimal function. You may need to quiet your internal slave driver each time she reminds you sharply that you have far too much work to do to stop and feel, dream, and watch your ideas invisibly materialize in your mind’s eye. You may struggle to rein in your unnatural tendency to believe that time spent “simply” thinking instead of writing is time wasted. Yet, taking control of these unruly psychological elements will bring new freedom and vibrancy to your writing.

The ability to contemplate, reflect upon, and experience reality—or fantasy—via the mind’s eye always justifies the battle you’ll wage to make this skill your own. The concept may even seem somewhat foreign to you right now, but if it does, that’s all the more reason to give it a try. Once you’ve made visualization a normal part of your literary routine, your writing—no matter what kind it is—will develop a magic it’s never come close to before.


To your creative vision,
Jeanne


What are your thoughts on visualization as a component of writing, and how has visualization shaped your own prose?


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Quote: The Writer's Raw Material

May 18th 2012 04:22


How simply, yet incredibly true!

"A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art."

Jorge Luis Borges, Twenty-four Conversations with Borges, Including a Selection of Poems : Interviews, by Roberto Alifano, 1981-1983




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Wise Words from Author Othello Bach

"Before you begin to write a sentence, imagine the scene you want to paint with your words. Imagine that you are the character and feel what the character feels. Smell what the character smells, and hear with that character’s ears. For an instant, before you begin to write, see and feel what you want the reader to see and feel." ~Othello Bach

I would add that entering fully into your writing in this way is crucial to creating powerful prose (whether fiction or non-fiction), or poetry, or drama, or web copy, or any other kind of writing.

I'd further say that engaging your imagination before you write is but one important part of an ongoing process. Try also pausing every now and then as you write. Simply envision each new idea, formulate each new image, and fully experience the ever-expanding range of emotions you will intricately weave into your writing -- eliciting the same and other complementary emotions from your reader through your carefully chosen words.

Embracing these creative practices will breathe life into your writing, helping you draw from somewhere deep within the very words that can make your writing sing.


Keep the song alive!
Jeanne

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